
When Télérama mocks traditions… but not all of them
The show "The Best Regional Cuisine" drew the magazine's ire for its stale praise of tradition. However, Télérama is not stingy with praise when it comes to distant traditions.

The show "The Best Regional Cuisine" drew the magazine's ire for its stale praise of tradition. However, Télérama is not stingy with praise when it comes to distant traditions.

Professor Albert Doja critically analyzes a thesis devoted to the status of "burrnesh" ("sworn virgin", but also "strong woman" in Albanian). An article which illustrates the challenges of scientific rigor, historicization of concepts and vigilance in the face of simplifications or "exoticization" which risk hindering the understanding and support of struggles for equality.

Marie-Jo Bonnet denounces the censorship she faces within feminist and LGBT activist circles for expressing critical positions on marriage, medically assisted procreation for lesbians, and gender transition, which she considers to be normative responses to social and identity-based malaise. The new progressive norms are becoming instruments of exclusion, censorship, and the falsification of history, under the guise of defending minorities.

It will explore cyborg dogs becoming queer and canine intimacies at the heart of the anti-colonial struggle. Mikhail Kostylev analyzes a highly acclaimed American article in which ideology leads to the manipulation of language and the denial of reality.

A profound reversal of values and benchmarks is currently affecting the intellectual, educational, and social spheres. Identity ideologies are distorting historical struggles for equality, emptying them of their meaning. It is urgent to reestablish critical thinking, armed with knowledge and rigor, to stand up against this charade that is blurring the transmission of reality.

The exhibition "Toward Joy: New Frameworks for American Art" at the Brooklyn Museum, curated by Stephanie Sparling Williams, offers a radical rereading of American art history by inverting power relations: works by non-white and women artists are foregrounded, while those by white artists are physically demeaned to force a reckoning with historical inequalities. This approach, hailed by some as a necessary deconstruction of the dominant narrative, is criticized by others as a form of radical activism that transforms the museum experience into an ideological display.

In "Insurrection of Particularities," Chantal Delsol analyzes the decline of the universal in favor of a wokeness marked by relativism, the dictatorship of identities, and the questioning of rationality, which substitutes emotion and ideology for debate and science. She shows how this evolution leads to a democracy dominated by minorities, an excessive egalitarianism deconstructing all hierarchy, and a performative thought where truth is replaced by militant narratives imposed through intimidation. A review by Emmanuelle Hénin.

In "The Damned of the Sea," Camille Schmoll analyzes the journey of migrant women in the Mediterranean, highlighting the violence they experience, the obstacles of migration policies, and their quest for autonomy through in-depth field research. She deconstructs preconceived ideas about the feminization of migration and highlights the role of digital technology as a space for resistance and identity reconstruction.

Jacques Robert warns against the excesses of wokeism and Trumpism, two extremes threatening science, and calls for vigilance against all forms of ideologization of knowledge.

Contemporary identity ideologies profoundly influence psychological practices by imposing a hypermoralization of social life, transforming the therapeutic relationship into a space of ideological validation rather than neutral analysis. Psychologist Florent Poupart warns us against this development, which is accompanied by a growing distrust of psychic life in its unconscious dimension, in favor of an ideal of transparency and moral purity.