Read more Beau à peauArticle reserved for subscribersBetween the epic of the feminine, transidentity and aging, the 73rd edition of the festival, which ends on Sunday February 26, was marked by body films. "The Face of the Jellyfish" by Melisa Liebenthal (Gentil Cine
)by Sandra Onana, special correspondent in Berlinpublished on February 24, 2023 at 14:39 p.m.A festival is ending, the cosmic balance is safe because Spielberg received an honorary award for his career and predictions about the winners are going strong, between now and its reveal on Sunday, February 26. Questions remain unanswered at the time of departure, such as: does returning from a Berlinale having missed the annual Hong Sang-soo expose you to being stripped of your critic's card? Who will dare to be the first to comment on the new Philippe Garrel, a strange and outdated film of transmission, in which the filmmaker films his children (Louis Garrel, Esther Garrel, Léna Garrel) as puppeteer artists confronted with the death of their patriarch? We are reserving a cold re-watch for the release. We had a feeling in the early days that bodily adventures have given this edition several of its most notable films. There were many stories of partitions and assignments that were broken – from the Spanish film 20 Species of Bees by Estibaliz Urresola Solaguren (in competition), on the theme of childhood transgender identity, to
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Between the epic of the feminine, transidentity and aging, the 73rd edition of the festival, which ends on Sunday February 26, was marked by body films.
“The Face of the Jellyfish” by Melisa Liebenthal (Gentil Cine
)
by Sandra Onana, special correspondent in Berlin
published on February 24, 2023 at 14:39 p.m.
A festival ends, the cosmic balance is safe because Spielberg received an honorary award for his career and predictions about the winners are going well, between now and its reveal on Sunday February 26. Questions remain unanswered at the time of departure, such as: returning from a Berlinale having missed the Hong Sang-soo Does the annual expose him to a dismissal of his critic's card? Who will dare to pronounce first on the new Philippe Garrel, strange and outdated film of transmission, where the filmmaker films his children (Louis Garrel, Esther Garrel, Léna Garrel) as puppeteer artists confronted with the death of their patriarch? We reserve a cold re-watch for the release.
It was felt in the early days that the bodily adventures gave this edition several of its most notable films. Many were the stories of partitions and assignments that jump – from the Spanish film 20 Species of Bees byEstibaliz Urresola Solaguren (in competition), on the theme of childhood transidentity, at
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